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Everyone will survive and be happy, and mom and dad can hand that child off to a spare family member or someone on their enormous staff in order to get back to what they do best: fucking within reach of a charcuterie board on a lawn maintained by home and garden professionals. There’s something about the fact that a baby is happening in the closing pages of a book that must end with a happily ever after, or at least a happily for now, that really lifts the period-correct terror off. There, see, it’s literary and male, maybe we can just have this. I need to admit something: I live for the baby epilogue while simultaneously dying over the fact that I, a person who has even less desire to procreate than early Simon, love a baby epilogue. No wonder the inhabitants of the long 19th century AU are willing to battle through the Dark Moment and endure countless poorly ventilated routs and balls.īridgerton adheres to one of the most unshakable requirements of historical romance: the baby epilogue (there are exceptions, but they’re the exception). Side characters and first spouses die, but happily ever after (HEA) means reaching a sort of HEAven of eternal life. There are the marriages, offspring, and dates of birth for the characters who earned their on-page happily ever afters.
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#FINALE VERSION 25 QUICK REFERENCE CARD SINGLE PAGES SERIES#
I wondered for a while why the genre had taken over my reading list more than usual until I looked at the Bridgerton book series family tree (which I’ll resist linking to for fear of spoiling the many seasons potentially yet to come). In a year so beset by loss, historical romance novels have offered an escape even beyond the usual joys of the romance genre as whole.